Why Sound Designers Need a Different Transient Tool
Product lead Jannic HƤhn about how our transient shaper plugin TRANSFORCE came together and the unique feature set and philosophy behind it.
Read more→Get FREE Sound Effects

Product lead Jannic HƤhn about how our transient shaper plugin TRANSFORCE came together and the unique feature set and philosophy behind it.
Read more→Watch James David Redding III creating the sounds for a fight sequence. What you see is every decision made in real time, from the first ambience drop to the final mix.
Read more→Product lead David Philipp talks about how MECHS & ROBOTS came together and what separates it from anything else in this category.
Read more→Learn more about the creative approach for SEASONS OF EARTH - EUROPEAN AUTUMN, how we recorded it and how we created it for professionals.
Read more→In this article, Hyunkook Lee shares his findings about immersive audio and how sounds should be designed, layered and routed in Atmos and other 3D environments.
Read more→These six disaster movies showcase what is possible when sound design is given the space to contribute fully to the storytelling.
Read more→Product lead Michael Schwendler talks about creating ARMAGEDDON, a sound effects library built around natural disasters at extreme scale.
Read more→Discover this experience-led walkthrough by Mike Caviezel of how interactive car engine sounds are built and why certain methods work better than others in production.
Read more→Sound designer Daniel McNamara about his path into post, his creative process and his sound design philosophy.
Read more→For our latest release SWAMPS, field recordist Matt Mikkelsen traveled to the wetlands of Florida over several years. This blog post dives into Mattās journey and his stories.
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We differentiate between sound FX and sound file. Each sound file can contain multiple variations of a sound (up to 6 variations based on the product).
That way, we assure to provide you with different styles of a single sound in one file instead of multiple files, keeping your database nice and clear and speeding up your workflow as you have multiple variations available by dragging only one file to your audio host software.

Having multiple variations of a single sound effectĀ also guarantees you a less repetitive overall soundscape when using theĀ effect multiple times in a row or over and over again in several projects.